Emily Rauh Pulitzer Curatorial Fellow in Contemporary Drawings

At the intersection of public access and higher education, the Harvard Art Museums invite everyone to embrace inquiry, dialogue, and new perspectives on art and ideas. The museums’ global collections encompass a broad range of time periods and geographies. 

The Fellowship program at the Harvard Art Museums is designed to broaden the experience of those embarking on professional museum careers in art history and related fields, conservation and conservation science, and/or museum education. Fellows are integral members of the museums’ staff, take part in departmental and museum-wide meetings, and collaborate with colleagues across the museums. Fellows are active members of the program cohort, participating in regular Fellows meetings, workshops, specialized training, and organized activities throughout the year, including presenting their work at an annual Fellows Symposium.

Job-Specific Responsibilities:

• The Pulitzer Curatorial Fellow reports to and works closely with the Houghton Curator of Modern and Contemporary Art as well as working with the Maida and George Abrams Curator of Drawings to conduct original, scholarly research to support the acquisition, study, and curatorial care of drawings and related works from the 20th and 21st centuries.
• The focus of this Fellowship will be assessment and research of the modern and contemporary drawing collection as aligned with the institutional priority of drafting a collection development strategy. In both numbers and by merit, drawings are a centerpiece of the museums’ collection and represent a broad set of cultural geographies. Extending the research into the artists and artworks in this area opens our collections to more multifaceted narratives, audiences, and possibilities for scholarship and display.  
• The Pulitzer Fellow will be a key contributor to the reassessment and conceptualization of modern and contemporary drawing in the museum and to broadening the representation of artists, subjects of concern, and artistic practices included in the museums’ collections. In dialogue with paper conservators, issues in the material and conservation challenges of the medium will be explored.
• Fellows may assist in researching and preparing interpretive materials for permanent collection installations, special exhibitions, and museum publications. Tasks may include drafting and producing correspondence, wall labels, and related materials. 
• The Fellow’s time is divided between their assigned projects and work that supports a broad range of curatorial activities, which may involve correspondence related to loan requests and collection inquiries, provenance research, cataloging the permanent collection in the museums’ database, assisting with new acquisitions, donor cultivation, and administrative tasks.
• Foregrounding the museums’ teaching and research mission, the Fellow also participates in interdisciplinary teaching and contributes to a rich offering of public and academic interpretive programs across various platforms.
• The Fellow may supervise students and temporary employees. 
• The above covers the most significant responsibilities of the position. It does not, however, exclude other duties, the inclusion of which would be in conformity with the position.